Pen and ink and watercolour over touches of pencil
On the artist’s original wash line mount
11 1/16 × 11 1/16 inches · 282 × 282 mm
Engraved by H. Merke in colour aquatint, published by Rudolph Ackermann, 10th February 1799 (plate size: 267 x 325 mm)
Collections
Charles Keene, d. 1891;
Private collection, England to c. 1947;
Leger Galleries;
Sir William Worsley, Hovingham Hall, acquired 1948;
Oliver Worsley, by descent to 2002;
Lowell Libson Ltd;
Private collection, UK acquired from the above in 2002;
And by descent, to 2019
Exhibitions
London, Leger Galleries, Early English Watercolour Drawings, December 1947 – January 1948, no. 95;
London, Lowell Libson Ltd, Beauty & the Beast: a loan exhibition of Rowlandson’s works from British private collections, exhibition catalogue, 2007, no. 42
Literature
British Museum, Catalogue of political and personal satires preserved in the Department of Prints and Drawings in the British Museum, 11 volumes, 1870-1954, vol. VII, no. 9445, p. 584 (for a discussion of the print);
Joseph Grego, Rowlandson the Caricaturist, 1880. vol. I, pp. 360-62 (for a discussion of the print);
Lowell Libson, Hugh Belsey, John Baskett, Beauty & the Beast: a loan exhibition of Rowlandson’s works from British private collections, exhibition catalogue, 2007, pp. 42-3;
Nadine Orenstein, Constance C. McPhee Infinite Jest: Caricature and Satire from Leonardo to Levine, exhibition catalogue.: The Metropolitan Museum of Art, New Haven and London, 2011, entry by Constance McPhee, cat. no. 97, pp. 130-131, repr., (for a discussion of the print).