Pictures
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John Constable
1776–1837
Storm clouds over Hampstead
- Oil on millboard
- 16 × 27 ¼ inches · 406 × 692 mm
- Painted c. 1822
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Joseph Mallord William Turner
Burg Eltz from the South -
François-André Vincent
Georges Cuvier -
Thomas Gainsborough
A landscape with a cart on a track -
Alexander Cozens
A coastal landscape with a tower -
Gavin Hamilton
Venus presenting Helen to Paris - a Modello for the painting now in the Musée du Louvre, Paris -
Francis Harwood
Faustina the Younger -
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Henry Fuseli
Maria and Feste looking down on the imprisoned Malvolio -
From the Master of the Giants album
Prince Hoare - Monumental Figures -
Joseph Nollekens
Lot and his Daughters -
George Romney
Hebe and an Attendant -
George Romney
Venus and Adonis -
Thomas Spence Duché
Hope presenting two orphan girls to the genius of the Asylum -
John Brett
1831–1902
Arthur Brett
- Oil on unlined canvas
- 19 × 16 inches · 490 × 410 mm
- Signed and inscribed lower left: ‘Portrait of Arthur/ John Brett/ March 1859’;
Inscribed on the reverse: ‘Lt Colonel Arthur Brett as a young man Queens Bay... painted by his brother John Brett ARA
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Richard Wilson
Monte Della Giustizia, Villa Montalto - Negroni, Rome -
Rosalba Carriera
Spring -
Edmund Ashfield
Amphilis Tichborne -
Sir Thomas Lawrence
Isabella Fairlie -
Edward Dayes
Bloomsbury Square -
William Holman Hunt
Study of the crescent moon in ‘The Ship’ -
Lorenzo Bartolini
Lord Byron -
Dante Gabriel Rossetti
Elizabeth Siddal having her hair combed -
Jean-Étienne Liotard
William Ponsonby, 2nd Earl of Bessborough -
David Cox
Porte St Denis, Paris -
Bartolomeo Pinelli
Prometheus creates the first man -
Bernard Lens III
Hercules between Virtue and Pleasure, after Nicholas Poussain -
Angelica Kauffman
1741–1807
Abraham driving out Hagar and Ishmael
- Oil on canvas
- 50 ½ × 40 ½ inches · 1285 × 1030 mm
- Signed and dated on the wall on the left: ‘Angelica Kauffman. Pinxit Roma. 1792’
In its original carved Roman frame
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John Hamilton Mortimer
Bardolph -
James Jefferys
A Battle Scene: Possibly the Death of King Richard III -
James Durno
Priam returning to Troy with the body of Hector -
Gerald Leslie Brockhurst
Les Deux Landaises (Evening) -
Paul Sandby
Evening - View Near Bayswater -
Louis Chéron
Cupid and Psyche before Jupiter -
Louis Chéron
A Feast of the Gods with Venus and Bacchus -
George Stubbs
The legs of a draught-horse -
Sir David Wilkie
The Gentle Shepherd -
Thomas Jones
River scene, on the Wye -
Thomas Jones
A View on the Via Nomentana -
John Constable
A Sportsman: Golding Constable shooting duck on the River Stour -
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Pietro Pacilli
San Camillo de Lellis -
Benjamin West
The artist’s children playing with a dog -
Henry Fuseli
A captive woman -
Sir Joshua Reynolds
Macbeth: A first idea of the figure of Macbeth on seeing the witches -
Paul Sandby
The walking stationer -
John Ruskin
Baden, Switzerland -
Henry Tonks
The conversation then turned on Tonks -
John Robert Cozens
Hannibal showing to his army the fertile plains of Italy -
Sir Frank Holl
Sir William Agnew, 1st Bt (1825–1910) -
Thomas Malton
St Stephen Walbrook -
John Hamilton Mortimer
A bandit taking up his post