Pictures
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Sir David Wilkie
1785–1841
The Gentle Shepherd
- Oil on panel
Signed and dated 1823 - 11 ½ × 15 ½ inches · 295 × 395 mm
- Oil on panel
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Edward Burch, after Michael Henry Spang
Écorché Figure -
Joseph Wright of Derby
The Rev. Dr Thomas Wilson and his adopted daughter Miss Catherine Sophia Macaulay -
Thomas Gainsborough
Study of Trees -
Thomas Jones
River scene, on the Wye -
Joseph Wright of Derby
Portrait of Old John Tonson Head Waiter at the King’s Head Inn, Derby -
George Romney
Charlotte Gunning -
Thomas Jones
A View on the Via Nomentana -
Adam Buck
The Expiation of Orestes -
Bartolomeo Pinelli
Prometheus creates the first man -
Benjamin Burnell
Two boys from Christ’s Hospital -
Sir David Wilkie
George IV at Holyrood House: A Sketch -
John Constable
A Sportsman: Golding Constable shooting duck on the River Stour -
Jean-Étienne Liotard
1702–1789
William Ponsonby, 2nd Earl of Bessborough
- Pastel on vellum
- 24 ⅜ × 19 ½ inches · 620 × 495 mm
- Drawn 1754
In the original frame
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Richard Dadd
A Stormy Heath -
Richard Dadd
Sketch to illustrate the Passions: Avarice -
Dame Laura Knight
A Patient at The Johns Hopkins Hospital, Baltimore -
Paul Sandby
Eton College from Crown Corner -
John Hamilton Mortimer
A study of a friar and a lass -
Henry Fuseli
A captive woman -
Henry Fuseli
Harriot Mellon, Mrs Thomas Coutts -
George Romney
The fall of the rebel angels -
Benjamin West
Three studies for the ceiling of the Queen’s Lodge, Windsor Castle -
Sir Joshua Reynolds
Macbeth: A first idea of the figure of Macbeth on seeing the witches -
George Romney
Study for ‘The Leveson – Gower Children’ -
Anton von Maron
Academic nude -
Jean-Étienne Liotard
1702–1789
Francis Owen
- Oil on canvas, unlined
- 50 × 40 inches · 1270 × 1016 mm
- Signed and dated ‘J.E. LIOTARD/1773’, on plinth, centre right
In the original neoclassical frame
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Paul Sandby
The walking stationer -
John Russell
George White as Saint Peter -
George Morland
Self-portrait -
Thomas Rowlandson
The coach booking office: Thomas Rowlandson Henry Wigstead booking their passage -
Thomas Rowlandson
Tea on shore -
John Downman
Lady Nugent -
John Sell Cotman
Norwich Cathedral - the north aisle of the choir -
John Hamilton Mortimer
Self–portrait -
John Ruskin
Baden, Switzerland -
Thomas Hudson
Joseph Van Aken, The Drapery Painter -
Adam Buck
Three young women -
Matthew Cotes Wyatt
The design for the ceiling of the King’s closet at Windsor Castle -
Jacob More
1740–1793
Ariccia
- Oil on copper
- 12 × inches · 305 × mm
- Signed, inscribed and dated ‘Jacob More, Roma 1778’, lower left
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Benjamin Robert Haydon
Study for the head of Uriel -
Henry Tonks
The conversation then turned on Tonks -
Joseph Mallord William Turner
The River Washburn at Elsingbottom -
Daniel Gardner
The Hon. Mary Shuttleworth, née Cockburn and her sister Anna Maria, 9th Baroness Forrester -
John Robert Cozens
Hannibal showing to his army the fertile plains of Italy -
George Barret
Lake Ullswater: a party of tourists gathering to enjoy the prospects at the head of the lake -
Sir Frank Holl
Sir William Agnew, 1st Bt (1825–1910) -
Johan Zoffany
Portrait of an unknown man -
Hugh Douglas Hamilton
The Right Hon. Charles James Fox (1794–1806) -
Arthur Devis
A Roman Capriccio -
Louis–Gabriel Blanchet
Portrait of a Gentleman -
Victor-Marie Hugo
Landscape -
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Pietro Pacilli
1720–1773
San Camillo de Lellis
- Bozzetto in terracotta
- 19 ¼ × inches · 490 × mm
- Sculpted in 1751-3
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Thomas Stothard
The Pilgrimage to Canterbury -
Thomas Gainsborough
Sheep and lambs by a fence -
George Augustus Wallis
An ideal landscape with a Memorial to Epaminondas & The gathering of Phocion’s ashes -
William Turner of Oxford
Haymaking – study from nature, in Osney Meadow, near Oxford, looking towards Iffley -
Thomas Malton
St Stephen Walbrook -
Sir Thomas Lawrence
Jane Allnutt -
Sir Edwin Landseer
Blackcock -
John Hamilton Mortimer
A bandit taking up his post