Pictures | Lowell Libson & Jonny Yarker Ltd

Hugh Douglas Hamilton

1740–1808

Nathaniel Marchant

Pastel on buff coloured paper
9 ⅝ × 7 11/16 inches · 245 × 195 mm
Inscribed by Hamilton on the backboard:
'Nathaniel Marchant’ Esqr
With the original Roman carved frame
Drawn in c.1788

John Atkinson Grimshaw
Lane Scene at Night

Gavin Hamilton
The Oath of Brutus

Lorenzo Bartolini
Lord Byron

William James Müller
The Burning of The Mansion House, Queen Square and The Burning of the New Prison, Bristol

Maria Spilsbury
A Sunday-School

John White Abbott
Canonteign

Joseph Gandy
Architectural Composition

Laura Knight
Fryn Tennyson Jesse

Sir Edward John Poynter
Gold Coins: A study for ‘The Cave of the Storm Nymphs’

James Milliken
Jean- Étienne Liotard

Anne Seymour Damer
Caroline Campbell, Lady Ailesbury

Sir Thomas Lawrence
Isabella Fairlie

George Romney

1734–1802

John Howard visiting prisoners

Pen and ink and wash on laid paper
12 × 20 ½ inches · 305 × 521 mm
Drawn c. 1790

Edward Armitage
The bottom of the ravine at Inkerman

William Fraser Garden
A recollection of Stevington, Bedfordshire, 1884 - A spinney in December

John Constable
Storm clouds over Hampstead

John Flaxman
A frieze designed for Edward Knight

Thomas Gainsborough
Returning from market

Moses Harris
Natural System of Colours

Ozias Humphry
Portrait studies

John Constable
Study of ‘Jacob’s Dream’

Angelica Kauffman
Anna Jadwiga Zamoyska

Thomas Gainsborough
Wooded Landscape

Pompeo Batoni
The Hon. John Damer

William Henry Hunt
Portrait of a young boy

Anne Seymour Damer

1748–1828

Peniston Lamb as Mercury

White marble
21 × inches · 535 × mm
Inscribe on the verso of the socle: ‘ANNE SEYMOUR DAMER FECIT’
and on the verso of the helmet: ‘ANNA ΔAMEP ΛONA ININA EΠOIEI’
Carved in 1785

Engraved:
By John Jones, ‘Mercury form the original bust of the Honble Penisten Lambe executed in Marble by the Honble Anne Damer’, stipple engraving, published by James Roberts, June 26, 1790.’

John Hamilton Mortimer
The corner of the artist’s studio

Richard Parkes Bonington
A quarry at Montfaucon, Paris

Peter De Wint
A gravel pit

Sir Joshua Reynolds
Portrait of a Woman

Richard Wilson
Monte Della Giustizia, Villa Montalto - Negroni, Rome

John Bingley Garland
One of the Blood Collages

Thomas Sandby
A view of St Martin’s Court

William Holman Hunt
Study of the crescent moon in ‘The Ship’

William Henry Hunt
Study of a young model

Samuel Palmer
An Evening Landscape

Joseph Mallord William Turner
The Rigi, Lake Lucerne, Sunset

Richard Dadd
A Stormy Heath

William Fraser Garden

1856–1921

A Hayfield, Bedfordshire

Watercolour, gouache with gum arabic on paper
10 ¾ × 15 inches · 273 × 381 mm
Painted c.1886

Massimiliano Ravenna after a model by Giuseppe Ceracchi
Herm portrait bust of George Washington

Pompeo Girolamo Batoni
Portrait of Philip Stanhope

Laura Knight
Charivari - The Grand Parade

Victor-Marie Hugo
Landscape

Thomas Gainsborough
Two cows in a landscape

Thomas Rowlandson
An Artist Travelling in Wales

Angelica Kauffman
Virgil writing his Epitaph at Brundisi

Richard Dadd
Sketch to illustrate the Passions: Avarice

Richard Wilson
The Villa Borghese, Rome

Sir Thomas Lawrence
Study of Hands

Angelica Kauffman
Rebecca Lady Rushout and her daughter Anne

John Sell Cotman
Norwich Cathedral - the north aisle of the choir

Hugh Douglas Hamilton

1739–1808

George Clavering Cowper, 3rd Earl Cowper

Pastel on paper stretched on linen
37 × 27 inches · 940 × 690 mm
Inscribed on the dog’s collar: COWPER
Drawn 1785

John Ruskin
The Fondaco dei Turchi

Jean-Baptiste Greuze
The Head of a Young Woman

William Blake
The Day of Judgement

Sir Edwin Landseer
Blackcock

George Romney
Study for ‘The Leveson – Gower Children’

Joseph Mallord William Turner
The River Washburn at Elsingbottom

Dame Laura Knight
A Patient at The Johns Hopkins Hospital, Baltimore

Sir David Wilkie
George IV at Holyrood House: A Sketch

Matthew Cotes Wyatt
The design for the ceiling of the King’s closet at Windsor Castle

George Romney
Charlotte Gunning

Edward Burch, after Michael Henry Spang
Écorché Figure

Richard Dadd
Portrait of George William Dadd, the artist’s younger brother

George Romney

1734–1802

Mrs Margaret Smith

Oil on canvas
50 × 40 inches · 1270 × 1016 mm
Painted in 1777
Sittings: seven between 8th April and 5th July 1777

Sir Joshua Reynolds
Elizabeth Rolleston with her son Samuel

Peter Oliver
A Sheet of Figure Studies

John Martin
The City of God

Thomas Gainsborough
Admiral Thomas Graves

Thomas Gainsborough
A cow and a sheep in a clearing

Joseph Wright of Derby
Portrait of Old John Tonson Head Waiter at the King’s Head Inn, Derby

Alfred Edward Chalon
An opera singer

Prince Hoare: The Master of the Giants
Acrobats

Jacques Rigaud
The Rotunda at Stowe

John Constable
Sunset: A Stormy Evening

Johann Valentin Sonnenschein
Venus and Cupid

Thomas Gainsborough
Figures and cattle beside a woodland pool

John Brett

1831–1902

Arthur Brett

Oil on unlined canvas
19 × 16 inches · 490 × 410 mm
Signed and inscribed lower left: ‘Portrait of Arthur/ John Brett/ March 1859’;
Inscribed on the reverse: ‘Lt Colonel Arthur Brett as a young man Queens Bay... painted by his brother John Brett ARA

Joseph Gott
George Banks

John Constable
Approaching night: a coastal scene at dusk

Francis Towne
Lake Albano

Sir Joshua Reynolds
Seated youth, after Guercino

George Richmond
Head of a woman

Jonathan Richardson
Self-portrait

Anton von Maron
Academic nude

John Robert Cozens
London and the Thames from Greenwich

Samuel Palmer
A wooded landscape

Samuel Palmer
Mountainous landscape, Wales

Henry Moore
Figure studies

Alexander Cozens
A landscape of the imagination

Angelica Kauffman

1741–1807

Abraham driving out Hagar and Ishmael

Oil on canvas
50 ½ × 40 ½ inches · 1285 × 1030 mm
Signed and dated on the wall on the left: ‘Angelica Kauffman. Pinxit Roma. 1792’
In its original carved Roman frame

Arthur Pond
An amateur pastellist at her easel

Dudley Hardy
Sarah Bernhardt

Archibald Skirving
An elderly woman

Daniel Gardner
Charlotte, Lady Watkin Williams-Wynn

Joseph Mallord William Turner
Sunrise: Venice from the Punta della Dogana

John Constable
A donkey

John Constable
The Vale of Dedham, a plein-air study

Edward Lear
The Cedars of Lebanon

John Ruskin
The Fondamenta Nuove, Venice

Jean–Étienne Liotard
George Keppel, Earl of Albemarle (1724–1772)

John Russell
Thomas Wignell: the ‘Atlas of the American Theatre’

Catherine Andras
Mrs Rose Bruce of Dublin

J.M.W. Turner

1775–1851

Cold Harbour Beach, Margate - Fishermen hauling in their nets

Watercolour and gouache on blue wove paper
5 ½ × 7 ½ inches · 131 × 191 mm
c.1840

James Jefferys
An incantation

James Jefferys
The three ages of man

Edward Burch, after Michael Henry Spang
Écorché figure

John Constable
The leaping horse, a preparatory oil study

Rex Whistler
Victor Rothschild in his rooms at Trinity College, Cambridge

Richard Eurich
The Critics

Joseph Mallord William Turner
Sky over the sea

John Frederick Lewis
The Temple of Edfu: The door of the Pylon

John Flaxman
The Adoration of the Magi

Francis Towne
A ruin on the road going to Ponte Nomentana in the neighbourhood of Rome

Sir Joshua Reynolds
Dionysius Areopagite, a nobleman of Athens and a disciple of St Paul

John Singleton Copley
Sir William Pepperrell and Family

Joseph Mallord William Turner

1775–1851

A distant view over Chambéry, from the North, with storm clouds

Watercolour
9 ¾ × 10 ¾ inches · 248 × 273 mm
Painted 1836

Thomas Rowlandson
Animal Magnetism – the Centre of Attention

James Ward
Sunset

John Constable
A view at Salisbury from Bishop Fisher’s garden looking towards Harnham

Daniel Maclise
The debut in London of Nicolò Paganini

William Turner of Oxford
The Sands at Barmouth, North Wales

Samuel Palmer
An Illustration to Milton’s ‘Lycidas’

Baron Jean–Frédérik Waldeck
The artist carried in a sillero over the Chiapas from Palenque to Ocosingo, Mexico

James Pryde
The Death Bed

James Nasmyth
The surface of the Moon showing the craters Aristotle and Eudoxus

George Romney
Lady Edward Bentinck, née Elizabeth Cumberland

Joseph Mallord William Turner
Plein air study: the Wharfe Valley from the Chevin looking towards Otley Bridge & Farnley Hall

Joseph Wright of Derby
Mount Vesuvius

Thomas Gainsborough

1727–1788

A mountainous landscape with a herdsman and his cattle

Black and white chalks and stump on white wove paper
11 × 14 ½ inches · 280 × 368 mm
Inscribed verso in the hand of William Esdaile: ‘1817 WE. Lamberts coll P45 N54/Gainsborough’
Drawn in the mid to late 1770s

Engraved: Thomas Rowlandson, in aquatint for Imitations of Modern Drawings, c.1784-8, where the image is seen in reverse.